This semester I am in the last drawing course offered at TCC. My assignment is to basically create a cohesive body of work in a drawing medium by the end of the semester.
Drawing is definitely not one of my favorite things to do. I like to sketch and doodle, but otherwise when I draw it is drawing to paint. I’m not sure if that makes sense. I know how to, but I don’t have a delicate touch and don’t believe I ever will. Which is exactly why I love to paint with oils.
So, because of how shaky my hands can be, I had to come up with a different method. I had enjoyed ink wash before, but wanted to add more to it so I taped off a section, gessoed it(was pissed to see that the waterproof india ink smeared a bit) and then added colored pencil. I admit, I was looking at Erik Jones work a bit and James Jean trying to figure out how they get some of their effects.
I’m not sure how I feel about what I did. I want to keep the subject in the same vein as my paintings. I just wish I could figure out how to do them well larger.
And damn colored pencils to hell! I think all the pigment in mine are cracked. I promised myself I would have a prismacolor bonfire by now but it looks like I’ll be putting that off.
Above is the thumb nailed progress shots of a portrait I recently did. This portrait went much faster than any others I have completed recently and I am trying to figure out what exactly went right.
I don’t feel that this is naturally my color palette, it feels too warm, but it is good practice. I’m pretty happy with this. I’m confidant that I captured a likeness. In fact a friend from NYC who grew up in Norfolk visited me, saw the painting and immediately recognized the model as someone she had known 15 years ago. The model’s daughters, a 4 and 5 year old, even knew it was their mom. So yeah, that felt like a victory.
Jason and I are still preparing for Stuntkid & Friends Show this coming saturday in Norfolk VA. It’s pretty rad having a bedroom full of art by artists that you’ve admired for a long time through the warped lens of the internet. It’s better in real life.
In stark comparison my studio area seems to be full of unfinshed paintings. I may need to get a dehumidifier to deal with my paint refusing to dry to workable point.
This weekend I got to take some concept photos with the adorable burlesque performer Marla Meringue. Which means no one will see anything that came out of it for quite a while, but she definitely helped me plan on a few future paintings.
Here’s a peak at some portrait studies from school and home.