Satellites for Redon
This semester I learned more about printmaking in my required intaglio class, taught by artist Lisa Hamilton. I enjoyed learning the process and different methods, but am not entirely happy with the work I produced in the class. BUT, now I feel more capable of revisiting the images and perhaps giving them a go again, this time with everything I learned this semester behind me instead of ahead.
Crepuscular Nesting Birds
The above three pictures are from my favorite printmaking project: collagraphs. It was cheap! Especially compared to buying zinc plates. I enjoyed this project because it felt very freeing. It was like playing. I just cut and pasted till I felt I had created something potentially interesting.
Gone to Seed – a self portrait
My Love, I Give
A little cast iron cauldron for little potions.
Deer vertebrae I found by the French Broad River.
Little glass bottle I bought in the western ghost town of Chloride.
Scottie figurine that lives in my mom’s china closet.
I had no idea this daily painting thing was such a thing. I decided to give it a try while on break between semesters so that I can go back as a stronger painter and get to know the medium again. I swear school made me and painting feel like strangers on a bad OKC date.
I came across some other daily painting blogs and also lots of weird articles criticizing the practice(parade rain-ers!). It seems to me other artists do this in order to stay productive, learn how to simplify and to sell. If you rapidly create a batch of small paintings, you have product. Small, minimally labor intensive, product. Which means you can sell them for a low but reasonable price. I may just consider doing that as well. It’d be nice to bring in some money with my artwork.
Here is a list of some other daily painters and their work. Not all of it is necessarily my cup o’ tea, but I like seeing how others approach the practice.